Tuesday, July 14, 2009
Big thank you to Spoon!
Tuesday, July 7, 2009
Calling all lady bike riders!

Monday, July 6, 2009
Ladies Rock Camp
Wish you had Girls Rock Camp when you were a girl? Ever wanted to start a band but were not sure how to do it? Do you want a fun and empowering weekend rocking out with some other awesome ladies?
No experience necessary!
Dates: Friday, July 17, Saturday, July 18 and Sunday, July 19 (Showcase)
Venue: Hosted by The Griffin School and Sri Atmananda: 710 East 41st Street and 4100 Red River St., Austin, TX 78751,
Contact Number 512. 809.7799
Application Fee: $350 (The camp for women 19 + includes instrument instruction, food, parties, and workshops, culminating in the Ladies Rock Camp Showcase on Sunday, July 19, where camper bands perform!) Remember, this is a benefit for Girls Rock Camp Austin, so your application fee enables us to give financial aid to kid campers who need it!
For an application and FAQS, go to the Girls Rock Camp Austin home page.
Sunday, July 5, 2009
Win a guitar signed by Spoon!
Fans who attend Spoon’s show on Thursday, July 9, at Stubb’s Waller Creek Amphitheater (featuring opening acts Quasi and Black Joe Lewis & The Honeybears) will have a chance to enter a special drawing presented by Girls Rock Camp Austin to win an Epiphone Dot guitar signed by all members of the band. Tickets for the drawing are only $5 each. Girls Rock Camp will display the signed guitar at the event, and will post the winner on http://www.girlsrockcampaustin.org/
This is an opportunity for a Spoon fan to grab a very special piece of memorabilia and help out Girls Rock Camp Austin at the same time. Girls Rock Camp Austin, the only nonprofit all-female summer music program in Central Texas, is devolted to empowering girls through musical education and performance. Fifty percent of GRCA's campers receive financial aid through the organization.
Thursday, July 2, 2009
Why I Love Girls Rock Camp
Sunday, June 28, 2009
Session I Showcase 2009
They write and perform an original song. No learning covers or so-called "classic rock" chestnuts. And we are a rock camp, not a Camp Rock.
We know that a single-sex environment for girls enhances and improves their learning. This, combined with the camp's dedication to helping girls explore an authentic expression of themselves, is what makes us different.
That's not to say you won't hear the kids' influences in their performances. The tiny, firecracker vocalist for camp band Supernova may have been channeling the voices she hears in today's radio pop, but her sincerity, confidence, and ability to hold the crowd is what we'll remember. And the band Akward (coached by board member/musician Melissa Bryan) added a little surprise coda to their performance: eight or so bars of "I Wanna Be Sedated"!
Thursday, June 25, 2009
Rock Camp Diary, Day 3
Unfortunately for the general public there is just too much going on at rock camp this year to really convey it all. The array of talent is truly jaw dropping and, initially, I have a difficult time deciding which of the dozen or so new bands to profile. Ultimately it comes down to a lottery. I walk down the hall and go into the classroom emanating the loudest noise. The chosen band is made up of Zoey Graham on guitar, Chandler Lindsey on keyboard, Frankie Blue on drums, CiCi Blackwood-Cross on bass, and Natalie Shey on vocals. The still un-named group is one of the four groups of older girls (they range from 13-16), about middle school age. I expect at least a little bickering, but the lack of friction between the new band mates is immediately apparent. It’s amazing how cooperative and smooth the song making process is--there are no arguments, no hurt feelings, and minimal bossiness. A palpable air of excitement fills the room.
After a couple brief tangents, multiple feedback-induced squeals of pain, and a few snatches of Michael Jackson's "Beat It," they get down to work. After just a few days they’ve already got the foundation of their eventual performance laid down. It’s a roller coaster of a song incorporating both heavy distorted riffs and a pretty ethereal chorus with lots of cymbals and bluesy throaty vocals. Overall its pretty freakin' great if they do say so themselves.
They diligently practice transitioning to the bridge for a while before deciding to break for a snack and choose a band name.
“All Things Freckled” is dismissed as much too Irish. “Freckles” is too short. “The Mitch Mitchell Jamboree Experience” is too long...and so on... until they hit on “Schmillian.” Which goes through a a number of evolutions—“Straight Up Schmillian,” “A Schmillian Ways,” “The Schmillian,” and eventually reverts back to the original Shmillian. The exact origins of the word are unclear but the whole band can agree it is just about perfect.
As I leave the newly christened Schmillian to their work I’m still humming snatches of their song. It’s catchy beyond belief, and I can't wait to hear the finished version at the showcase on Saturday (at the Parish starting at 2 for those of you who don't know).
Wednesday, June 24, 2009
Rock Camp Diary, Day 2
It’s the second day of camp just after lunch and band practice and time for the afternoon workshop/seminar-there’s some general milling around and the younger half of the girls, ages nine through eleven, pile into a classroom and sprawl on the carpet.
Dr. Mary Kearney, Associate Professor of the Center for Women and Gender studies, a guest speaker from U.T., takes the stage. She starts with a general discussion of gender roles and women in music and immediately the Joan Jett and Patty Smith factoids begin to fly, there are outbursts of song and multiple grim discussions of the "industry"--these girls know their chops.
Prof. Kearney explains the gaze (the way women in music videos are seen through the eyes of the (usually male) directors, producers, writers and cinematographers as she flips through a series of ads for everything from yogurt to cars, all of them objectifying women. She pauses the slideshow on a particularly striking ad for some sort of mixed drink--in it a faceless man straddles a buxom bikini clad woman lying on her back.
"Who's in control here?"
The answer is deafening "THE MANN!!!"
"Why?" she asks.
"Cause he's wearing pants!" one camper crows.
"Because he's a jerk!" another vehemently declares.
"Because he's standing over her!"
It’s a pretty clear consensus. She moves on to the Lita Ford video "Kiss Me Deadly.” Indignant and just ever so slightly red faced the girls explode in protest.
"They're more interested in how her body looks than her music!"
"You can barely see her play guitar!"
They're right of course--there's a lot of blond hair and hips but the shots of her playing guitar are brief and very vague. She stands a good ten feet away from the camera and in deep shadow, hands and guitar hidden. The group goes on to discuss how hard it is to fit into the young blond haired blue-eyed big breasted white girly girl stereotype. It’s an indication of the solemn mood that the word “breast” induces no giggles. not a one. these girls are dead serious.
As the seminar winds down the topic, of course, turns to challenging the male gaze. Music videos by Ciarra, Keri Hilson, Bjork, and Courtney Love play on the projector as Dr. Kearney explains how these women desexualize and empower themselves through their videos and in some cases even reverse and draw attention to the gaze. There's a great deal of nodding and determined looks and as the girls file out of the room many of them thank their teacher for the afternoon.